Taxi Driver Marting Scorsese; 1976Camera, frame, movement and angles; There is an extreme close up of the characters eyes and then there are a lot of shots of the city and of smoke when the camera shows us shots of the city.
Sound; At the opening credits romantic and soft musics is being played when the camera is on the mans eyes but when the shot is of the city, the soundtrack then changes to a tense and deep, loud music. You can hear the diagetic sound of the phone ringing when the man enters the office.
Mise-en-scene; During the opening credits you see an extreme close up of the man's eyes in the rear view mirror and shot's of the city, it then cuts into a shot of a man walking into the office with a phone ringing.
Heat Michael Mann; 1995
Camera frame, movement and angle; There is a long shot a train coming into the station. Then a close up of a man walking into the station. There are also extreme close ups of the mans face to show his expressions, his expression is quite stern. Then there is use of an over the shoulder shot of him going to the escalator, then a tracking shot when the man walks into a hospital and a long jumpshot of all the patients that are being treated and a lot of doctors bustling about.
Sound; As the scene opes there is quite soft music but then the train breaks through it so you hear the diegetic sound of the train coming into the station. When the character goes into the hospital there is siegtic sound of heart monitors, patient's voices and the doctors shuffling about.
Mise-en-scene; A train coming into the station and crowds of people who are 'business like.' Then a shot of the man in the hospital, heart monitors, patients and doctors.
Identity James Mangold; 2003
Camera frame, movement, angle; There are a lot of jumpcuts in the beginning of old files, and pictures.
Sound; Sound of thunder and lightning outside of the window. Two men talking, asking questions, almost like an interview, and you can see a tape recorder.
Mise-en-scene; The jumpsuts shows a lot of files and drawings which look like children's drawings. Then from innocent drawings the camer jumpscuts to violent images of murdered people. The mise-en-scene also shows the man working, and the lightning is also shown outside the window.
Opening credits; The opening credits is like 'typed font', font ou would find on important documents, and its quite small, capital, simple and formal. The font is in the corners of the screen as the jumpcuts are happening.
Red Road Andrea Arnold; 2006
Camera frame, movement and angle: Quite a lot of close up's of the female character's face which gives us a clearer image of her expression. Mid shots of her head, and shoulders. Camera shots of security cameras' and the quality of these shots are blurred and are bad quality.
Sound: Diegetic sound of her pushing buttons and the sound of her breathing and laughing softly.
Mise-en-scene: The mise-en-scene is of the woman working and the images on the screen that she is watching. The woman is sitting in darkness, and the glow from the screens lights up her face and there is also a non-ambient lighting on her face.
Opening credits: Blurred camera moving around with small informal font.